Guitar: Fender Jazz Bass

History

First introduced in 1960 as the "Deluxe Model," it was marketed as a stablemate to the Jazzmaster guitar which was also marketed as a "Deluxe Model" in its own right. It was renamed the Jazz Bass as Fender felt that its redesigned neck - narrower and more rounded than that of the Precision Bass - would appeal more to jazz musicians. The Jazz Bass has two single coil pickups with two pole pieces per string. This gave the bass a stronger treble sound to compete with the Rickenbacker bass, which had been introduced in 1957 and was famously "bright." As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender advertising as the "Offset Waist Contour" body), the Jazz Bass neck is noticeably narrower at the nut than that of the Fender Precision Bass. While the Precision Bass was originally styled similarly to the Telecaster guitar (and, after 1957, the Stratocaster), the Jazz Bass' styling was inspired more by the Jazzmaster guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style bass bodies.

The original intention was to encourage upright-bass players to switch to electric bass. The original Jazz Bass had two stacked knob pots with volume and tone control for each pickup. Original instruments with this stacked configuration are highly valued in today's vintage guitar market. Around 1961 it received three control knobs: two controlling the volume of each pickup and one the overall tone. Despite this new feature, many stacked knob models were made until about 1962.

A number of cosmetic changes were made to the instrument when CBS purchased the Fender companies in 1965. During 1965/66 the Jazz Bass received bound rosewood fingerboards with pearloid dot position inlays (which replaced the older "clay"-style of the early '60s) and oval-shaped tuning machines. Block-shaped fingerboard inlays and an optional maple fingerboard were introduced after 1966/67. At first necks with rosewood fretboards received pearloid blocks/binding and maple fretboard necks received black. Fender switched to pearloid blocks/binding on all necks in mid-to-late 1974. Fender also switched to the 3-bolt neck "micro-tilt adjustable" neck in mid-to-late 1975 before reverting to the more standard 4-bolt neck fixing and dot-shaped fretboard markers in 1983. White pickup covers and a pickguard/control plate were introduced the same year. In 1985 Fender introduced the Japanese-made Fender Performer Bass, also with micro-tilt neck, designed by John Page and intended to be an elite version of the Jazz Bass, however the radical styling was not popular and production ceased the same year.

American Standard Jazz Basses produced between 1989 and 1994 1/2 featured a larger body shape, a 'curved' neck plate set into a chamfered pocket for greater sustain and a 22-fret neck, similar to that of a Precision Bass Plus, with a standard vintage-style top-load bridge, two separate volumes and a master TBX tone circuit. Usually known as "Boner" Jazz Basses, these early American Standard models (designed by George Blanda, who was Fender's senior R&D engineer during that period) were discontinued in 1994 and shouldn't be confused with the Fender Jazz Bass Plus, which has the same 22-fret neck design, but utilizes a different (downsized) body styling, Lace Sensor pickups, Schaller "Elite" fine-tuner bridge on the 4-string model or Gotoh high-mass bridge on the 5-string model, and Phil Kubicki-designed active electronics. Unlike the Fender Precision Bass Plus, which had a "maple-neck" option, the Boner Jazz Bass was offered only with a rosewood fingerboard. The Jazz Plus Bass was available with an alder body and the option of a natural-finish ash body on the 4-string model for a $100 upcharge, either a maple or rosewood fretboard on the 4-string and pau ferro (an exotic hardwood whose tone is brighter than rosewood yet warmer than ebony) on the 5-string. The Jazz Plus debuted in 1989 (the 5-string model was released in 1990), discontinued in 1994 and replaced by the USA Deluxe Series Jazz Bass the following year.

A fourth push button control is available on American-made Jazz Basses produced between mid-2003 until 2008. Known as the "S-1 Switch", this feature allows the pickups to operate in standard, parallel wiring, or alternatively in series wiring when the switch is depressed. While in series, both pickups function as a single unit with one volume control, giving the Jazz Bass a sound more similar to the Precision Bass. The two pickups are built to be opposite from each other in both magnetic polarity and electrical phase, so that when heard together, hum is cancelled—the humbucking effect. The Highway One Jazz Bass is a moderately priced American-made bass introduced in 2003, featuring a Leo Quan BadAss II bridge with grooved saddles, Posiflex graphite neck support rods, '70s styling and a Greasebucket tone circuit since 2006.

In 2008, the American Series models were replaced by a new American Standard line, which greatly differs from the first-generation American Standard Series basses introduced in 1994. The 2008 American Standard Jazz Bass retained the "American Series" rolled-edge neck with highly detailed nut and fret work, as well as the familiar rounded body shape with the vintage body radius, but deleted the S-1 switching system and incorporated a new high-mass vintage bridge, Hipshot lightweight vintage-style tuning machines, a richer and deeper neck tint, gloss maple or rosewood fingerboard and satin back for smooth playability. It also has a thinner finish undercoat that lets the body breathe and improves resonance.

To celebrate the 50th anniversary of the Jazz Bass, first introduced in 1960, Fender released in 2010 the 50th Anniversary Limited Edition Jazz Bass. This bass sports a selected alder body finished in a Candy Apple Red nitrocellulose lacquer and incorporates design elements from several periods in the instrument's history, including '60s-era lacquer finish, headstock logo, chrome bridge and pickup covers, '70s-era thumb rest and bridge pickup positioning, modern-era high-mass bridge and Posiflex graphite neck support rods.

Design features

Some "Deluxe" Jazz Bass models feature an active pre-amp (usually with three bands of equalization) in place of a single passive tone control, these basses have three separate equalizer controls: bass and treble responses are controlled by the base and top of a stacked double pot, while midrange is controlled by a second knob. They came with 22 frets, abalone dot position inlays and an 18-volt power supply on some models. Known as Jazz Bass Deluxe since 1995, they have been renamed American Deluxe Jazz Bass as of 1998.

The American Deluxe Jazz Bass (available in 4-string, fretted, fretless, 5-string and left-hand versions) features two Samarium Cobalt Noiseless Jazz Bass pickups, designed by pickup designer Bill Lawrence. Fender used downsized bodies to accommodate the 22-fret neck and reshaped the pickguard with 9 screwholes.

American Deluxes produced between 1995 and 1999 were initially available with "single-pole" pickups designed by John Suhr. These were soon changed to the Bill Turner-designed dual-coil Ceramic Noiseless units with nickel-plated (gold-plated on certain models) polepieces until the advent of the Bill Lawrence-designed Samarium Cobalt series in 2004.

Other refinements include a strings-through-body/top-load bridge, Posiflex graphite neck support rods, rolled fingerboard edges, highly detailed nut and fret work. Five-string versions are presented with a 4+1 tuner arrangement and two Hipshot string trees since 2002. The asymmetrical 5-bolt neck plate, along with the smooth contoured heel allow much easier access to the upper registers. Bound fingerboards with pearloid block inlays were added with the introduction of the American Deluxe Jazz Bass FMT & QMT in late 2001, featuring flamed or quilted maple tops and gold-plated hardware. Fender discontinued these models in 2007.

As of March 23, 2010, the American Deluxe Jazz Bass has been updated with a pair of N3 stacked-coil Noiseless Jazz Bass pickups, an active/passive toggle switch, CBS styling and a 21-fret bound compound radius maple neck featuring rosewood or maple fingerboards with rectangular block inlays. Other features include Hipshot vintage lightweight tuners , "Strong Arm" string retainer bar for the A and low B strings, and Fender's High Mass Vintage (HMV) bridge.

The Mexican Deluxe Active Jazz Bass combines many of the features of the American Deluxe models with a traditional Standard Jazz Bass body, vintage-style hardware and a 20-fret rosewood (4-string) or pao ferro (5-string) fingerboard. It also sports a 3-band active circuit powered by two dual-coil ceramic Noiseless Jazz Bass pickups and a 9V supply.

The Custom Classic model was made at the Fender Custom Shop. This Custom Shop Jazz Bass was a cross between the American Vintage and the American Deluxe series. Features include an oversized select alder or premium ash body, a modern 34"-scale C-shape maple neck with an unbound rosewood, pau ferro or maple fingerboard featuring triangular pearloid block inlays and 21 medium-jumbo frets. Available in 4 and 5-string versions, all Custom Classic Jazz Basses came with a pair of custom-wound dual-coil Noiseless Jazz Bass pickups, a 3-band active preamp, 5-bolt neck plate, 18V power supply and a Deluxe string-through-body/top-load bridge with milled nickel-plated brass saddles. Models manufactured prior to 2003 (formerly known as American Classics) were identical to the mid-1990s American Deluxe basses in appearance, excepting the 22-fret bound maple neck featuring a rosewood fretboard and white block inlays. Fender discontinued the 5-string version in 2009. The Custom Classic 4-string Jazz Bass has been renamed Custom Active Jazz Bass as of 2010, featuring Fender's high-mass vintage (HMV) bridge and a 60s Jazz Bass "U" shape neck.

The Standard Jazz Bass model is sanded, painted and assembled in Ensenada, Baja California along with the other Standard Series guitars. As of December 5, 2008, the Standard J-Bass has been updated with CBS era-style decals, a 3-ply parchment pickguard and a tinted maple neck with rosewood or maple fingerboard (also available in a fretless version with a rosewood fingerboard and 20 inlaid white fretline markers). Other features include two staggered bi-pole single-coil pickups and a return to the black bakelite control knobs. Models produced before 2003 came for a period with black Stratocaster control knobs. The 5-string version (introduced in 1992), available with pao ferro or rosewood fingerboard and a 5-in-line tuner configuration with Gotoh Mini machineheads (circa 2006), has been updated with a tinted maple neck featuring a dark rosewood fingerboard and a 4+1 tuner configuration with Fender/Ping tuning machines as of 2009.

The Jazz Bass has a bright sound, with more high end than the Precision Bass. This makes it ideal for slap playing as well as finger-style players. This bright sound is due to the fact that there are two pickups at different points in the string's length. The bridge pickup gives a tone with more treble, while the neck pickup will yield a rounder sound. The ability to blend the volume of both pickups allows for a wider variety of tones than the Precision Bass can produce. Pickups are RWRP (reverse wound, reverse polarity) from one another, so all hum will be canceled when both pickups are at full volume.

All five-string Jazz basses came with pao ferro fretboard since 1990 (some US Deluxe models were also available with a plain maple neck option). Fender offers its 5-string basses with rosewood or maple fretboard as of 2006 after discontinuing the pao ferro fingerboard option in late 2005. In 2008, Fender introduced the fretted and fretless Steve Bailey signature models, its first six-string Jazz Basses to feature a 9.5” to 14” compound-radius ebony fingerboard.

Having both pickups cranked up at full volume produces the classic scooped, "growling" sound which many players - such as Marcus Miller and Will Lee - use for slap bass playing. This sound is the product of certain frequencies from both pickups being out of phase and cancelling each other, leaving a "scoop" on the midrange. This is similar to what happens on some guitars when you blend the sounds from two different pickups, such as the Fender Stratocaster. Perhaps this is why in recent years it has become quite popular to add an active on-board EQ with a special "phase" switch on Jazz-style basses.

Steve Bailey Jazz Bass VI (Six String) Fretless
Series : Artist
Model : 0197400800